Paola Lorenzana (ES)
Alegría, El Salvador
Fotos: Coralia Altamirano L., Francisco Castillo y Rafael Perdomo
EMAIL
paolareginalorenzana@gmail.com
WEBSITE
http://lacasaalegre.zoomblog.com
http://paolalorenzana.blogia.com/
http://larousmujeresartistas.zoomblog.com/
" La Espera" en King Kong
"To Wait"
Esperar... ¿qué esperamos?
¿cuándo esperamos?
¿cuánto tiempo quedamos en espera?
La espera nuestra es más una búsqueda que nos ha llevado a visitar mundos, vivir vidas, compartirlas, encontrarnos con voluntades, coincidir en espacios, nuestra espera es encontrarnos después de todos esos países que nos conocieron antes de estar juntos, donde estuvimos y no nos vimos, esas personas, cercanas que estuvieron con cada uno en un mismo día y nosotros, sin conocernos... Hoy, vamos a ese primer mundo a encontrarnos con los espacios que vimos mientras no sabíamos quién era el otro, hoy nos conocemos y compartimos nuestra espera y la multiplicamos.
La idea del performance es reinterpretar qué es nuestra espera individual, la que nos define, la cotidiana, que todavía no nos encuentra, porque tenemos mucho qué hacer antes de encontrarnos...
Memo espera en su banca talvés una imagen, yo espero bailando talvés atrapar el espacio, y ustedes???
esperan el metro? que sea las 4? que llegue la musa? que paren las voces en el cerebro? que caiga dinero del cielo? que venga la paz? que deje de temblar?
" La Espera" en King Kong
"To Wait"
To wait... what we waited for? when we wait? how long we were in wait?
The wait ours is plus a search that has taken to us to visit worlds, to live lives, to share them, to find us with wills, to agree in spaces, our delay is to find us after all those countries that knew us before being together, where we were and we did not see ourselves, those people, near which they were with each one in a same day and we, without knowing itself...
Today, we are going to that first world to be with the spaces that we saw while we did not know who was the other, today we know and we shared our wait and we multiplied it.
The idea of the performance is to reinterpretar what is our individual cait, the one that it defines to us, the daily one, that still does not find us, because we have much what to do before finding us...
Memo waits for in his bank may be an image, I waits for in a dance may be to catch the space, and you?
they wait for the bus? that he is the 4? that musa arrives? that they stop the voices in the brain? that money of the sky falls? that the Peace comes? that it lets shake?
"Mis descalzos"
he pensado un poco...
yo bailo descalza
siempre he andado medio descalza por el mundo
y veo cómo a la gente (salvadoreños) le cuesta andar descalza en este país...
siempre ha sido una expresión silenciosa de su pobreza
guardan sus zapatos para ir a misa, a la iglesia
aunque todos los días salgan a trabajar, o caminen por todos lados descalzos/as
siempre que trabajo, doy clases o estoy en casa, ando descalza,
y cuando invito a alguien a hacerlo
a que se quite sus zapatos,
es como si les dijera que se quitaran su orgullo
para mí: es contacto con la tierra
para mucha gente: es su orgullo...
lo primero que le mandan los parientes que han emigrado a estados unidos a los niños y niñas que quedan en el campo: son zapatos...
Instalación interactiva con:
Tierra - tenis MADE IN USA - mis pies escribiendo en la tierra
“My Barefoot”
"My barefoot" I have thought a little... I dance always takes off have walked average barefoot by the world and see how to people (Salvadorean) she costs to him to always walk barefoot in this country... has been a quiet expression of his poverty keep his shoes to go to mass, to the church although every day they go to work, or they walk by all sides descalzos/as whenever work, I give classes or I am in house, I walk barefoot, and when I invite to somebody to do it to that she takes off its shoes, is as if she said to them that they took off its pride for me: it is contact with the Earth for much people: it is its pride... first that the relatives who have emigrated to the United States to the children and children send to him who are in the field: they are shoes...
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